#elvis and dolores
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missmaywemeetagain · 1 year ago
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Read Broken Glass Ch.8 with Early Access HERE! 💔🥂❤️‍🩹
hints hints hints with all these pics!
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SNEAK PEEK:
March 14th, 1960
Graceland
Elvis can’t sleep. Even after his romp with the little ice skater currently wrapped in his arms, and the lingering exhaustion that never seems to truly go away, his mind and body just won’t relax.
He wants to, he really does. It was his hope that sex might do the trick, but instead he just finds himself staring aimlessly above him, uncharacteristically uncomfortable with the girl he is holding in her post-coital bliss. Honestly, all he wants right now is her out of here and back downstairs with all the rest of the Holiday on Ice company he’d invited over for a party. Maybe play in the surprise snowstorm a little.
Greta is a carryover from his time in Germany, a part of the Holiday on Ice troupe he had seen in Frankfurt. There, it was different. She’d been a welcome distraction, and he thought, since she happened to be one of the few from that company who’d come over stateside, that maybe she would prove the same here.
No such luck.
She was fine and all. The sex was fine, but something was…missing. And frankly he feels strange about her occupying your side of the bed, sullying it with her cloying perfume. He makes a note to tell someone to change the sheets before you come in.
And with that thought, he untangles himself despite the girl’s disappointed sigh of protest and starts redressing. “Best get back downstairs, darlin’. Can’t have folks sayin’ I’m a bad host,” he says disarmingly, tucking his dress shirt into the cummerbund he’s refastened around his waist, throwing her a wide, bright smile he knows from experience has a warm effect on women.
She nods, getting the hint and smiling back at him while she picks up her clothes from where they’d been so carelessly discarded on the floor not all that long ago. Once they are both decent, he opens the door to usher her out and nearly runs right into you as pass through the hallway.
It is silly the way his heart races, as though he’s been caught with his hand in the cookie jar. He watches you take stock of the situation, holding his breath for your reaction. It is certainly not the first time he’d been caught with one girl by another, and he can’t help feeling that he has betrayed you in some way. Perhaps it is because to everyone else in this house, you are his girlfriend, and any man in his right mind doesn’t want to be discovered fooling around with one girl when he is supposed to be with another...
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Taglist Pt 1
@eliseinmemphis@russian-soft-bitch@tattywood
@sassanoe@thella @suspiciousmidge @hiddlepiddlediddlewiddle@carolinesbookworld @juggernort @aesthetic-lyss @stitchattacks @donnamarie23
 @littlebitofgreen@paigevis@bugg06@xhannahbananax03@artlover8992
@18lkpeters@frozenhuntress67@girlblogger2002@kendralavon7@misspresley
@be-my-ally @whositmcwhatsit @vintageshanny @ellie-24 @thatbanditqueen @powerofelvis @from-memphis-with-love
@precious-little-scoundrel @stylespresleyhearted @prompted-wordsmith @crash-and-cure @elvisgf @ohjustpeachy1 @lookingforrainbows @fic-over-cannon @godlypresley @ab4eva @whatstruthgottodowithit @elvisabutler @amydarcimarie@idontwanttoputanything @callieselvisobsessed @captainamerica1235-blog  @xenaspace3-blog 
@simplyamberj @claire-elvisgirl@everythingelvispresley@louisejoy86@deniseinmn @madelynpresley
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lizzygrant17 · 5 months ago
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seafoami · 4 months ago
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death has a good taste in music
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citizenscreen · 5 months ago
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Dolores Hart, Elvis Presley, and Carolyn Jones for Michael Curtiz’s KING CREOLE, which hit theaters on July 2, 1958.
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gatutor · 1 month ago
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Dolores Hart-Elvis Presley "El barrio contra mí" (King creole) 1958, de Michael Curtiz.
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elvisbooty76 · 5 months ago
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hooked-on-elvis · 1 month ago
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Elvis Presley at a recording session for Loving You (1957), with actress Dolores Hart.
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whositmcwhatsit · 1 year ago
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I think I'd blush in technicolor too. And demand a ton of extra takes.
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weirdnerdearnest-blog · 11 months ago
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Elvis Presley and Dolores del Río
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theatomicpoweredsinger · 1 year ago
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Elvis and actress Dolores Hart are pictured together on location at Jessup Ranch in San Luis Obispo, CA, for Paramount’s “Loving You” on Wednesday, February 27, 1957.
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velvetprvsley · 2 years ago
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Elvis and Dolores Hart <3
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missmaywemeetagain · 3 months ago
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Broken Glass Chapter 11.1 💔🥂❤️‍🩹
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Thank you so much for your patience as I got this up on different platforms due to unforeseen life crap! 💗 Okay, so Chapter 11 got a bit away from me length wise, so for sanity's sake (and so I can make some more revisions to some much-anticipated sexy times 🤭), I am posting part one of the chapter instead of making y'all wait any longer.
Some major, life-altering things went down in Chapter 10 and this chapter from Lori's perspective deals with a bit of the reality and consequences of that. (You can refresh your memory here if you need to!) We jump back in the next morning. She's got A LOT of feels going on in this chapter leading into some more twists and turns in 11.2, so the ending of this might feel a bit abrupt since it will all be part of the same chapter. Sorry!
Also, please excuse my alterations of some of the recording dates a bit to serve the story!
Anyway, as always. I can't wait to hear what you think! 💋
Loves and kisses, Madi xoxoxoxo 💗
TW: So many angsty feels, the Colonel, pregnancy and related symptoms, fear of miscarriage, Elvis and his endless PDA...smut to come in part 2 🤭
Broken Glass Chapter 11.1
“You’re what?!”
You wince at the way Tom Parker spits the words out, his shock and ire so palpable it feels like a slap to the face. The anxiousness skyrocketing through you, paired with the rapid beat of your heart knocking against your ribs, leaves you unable to look at the man, but you know he’s furious.
“We’re getting married. As soon as possible,” Elvis repeats firmly, grabbing your hand and squeezing. It seems unconscious the way he steps slightly in front of you, as if shielding you from the older man’s anger. You appreciate the gesture. No one, save for your mother, has ever protected you.
Elvis sounds so steadfast and sure about all of it. He’s a better actor than people give him credit for, but this performance is going above and beyond anything you’d assumed he was capable of.
Or maybe he means it.
Your heart flips, just the way it did last night when he asked you to marry him.
The last 24 hours have gone and changed everything so quickly that your head is still spinning. The moment when Elvis kneeled on the bathroom floor with you, wiped away your sick, and offered to fix everything, it felt so very real. There wasn’t an ounce of hesitation in his eyes.  
And despite it being an arrangement born out of necessity and not love, it was nothing like Gianni’s horrific proposal.
Your stomach turns at the memory of that nightmare before Parker’s voice cuts through, bringing you back to the task at hand.
“What in God’s name has gotten into you, boy?” The beady-eyed man glares around Elvis’ broad shoulders at you. You resist the urge to shiver under his accusatory gaze. “Did you threaten to go to the press, young lady? Is this about money?”
“Hey, now, Colonel,” Elvis says, deceptively calm, but his voice is low with warning. “It’s not like that at all. And you best mind your tone.”
Parker’s eyes flicker to Elvis with an edge of surprise, taking in Elvis’ protective stance and words in silence. You get the impression Elvis hasn’t stood up to the man before, not like this, anyhow. The crackle of tension in the air has you all on edge.
The older man’s eyes narrow shrewdly, and you worry you won’t be able to pull this off. You’ve observed enough in the last month to understand the influence he has over Elvis, the slight manipulations he wields, pushing Elvis right where he wants him.
Parker looks at you with scrutiny. He takes you in from head to toe. Your breath catches in your throat and you want nothing more than to disappear and pretend the last day was a dream. But you cannot. Forcing yourself to hold his stare, you remind yourself of everything at stake here.  
There is no doubt in your mind he will throw you to the wolves the moment he senses anything amiss, the moment you threaten the image of his star client. So it has to be crystal clear you are here to stay, even though it makes you sick to lie.
But there are much worse things than white lies waiting for you out in the world. And as heartbroken and shocked as you are about this baby, you already know you’ll do anything to protect it.
You aren’t even conscious of the way your hand splays over your stomach, not until Parker’s eyes freeze there. His eyes snap up to yours and then to Elvis.
“Oh, you didn’t,” Parker groans. “Christ, I picked this one specifically because I thought she was smart enough not to fall into bed with you the minute you two were alone. Turns out she’s smarter than I gave her credit for—she managed to ensnare you and ensure she’d always be tied to Elvis Presley,” he spits.
Your cheeks flame hot with the accusation, and you can’t hold back your gasp at his insinuation, even though it shouldn’t be a surprise.
Elvis squeezes your hand tight and points at Parker, his eyes stormy and livid. “Don’t you dare blame her for this! On the train, you made it clear how she needed to improve her ‘attitude’ towards me and I told ya not to worry. Well, I took care of it,” he shrugs flippantly.
You try not to gape at his blasé attitude, wanting to trust Elvis to do what he needs to make this convincing.
“You damn well know I didn’t mean ‘get her pregnant’!” Parker hisses. “And we had this talk when you were just starting out! I know you know better than to—”
“I’m in love with her,” Elvis interrupts with such conviction your stomach swoops and you need to school your face to look like you aren’t amazed by how truthful his statement sounds. The earnestness on his handsome face takes your breath away.
Tom looks sorry for him. “Oh, son, we both know how easily you fall in love. But I don’t think you understand the gravity or responsibility of starting a family. What it’ll do to your image. Girls want you unattached and available, and they’re the ones buying the records."
From anyone else, it might be imbued with caring and concern, but coming from Parker, it is backhanded and insulting with the way he talks down to Elvis, as though he were still a 19-year-old kid instead of a 25-year-old man. But he does it with the finesse of a snake charmer.
You watch Elvis carefully as he recoils a bit, an innocence flashing over his features you’ve only seen in his most vulnerable moments making a quick appearance. For a second, you are terrified he’ll cave and you’ll have to pack your bags and head West after all. Thankfully, he blinks it away, steeling himself with the stubbornness which usually drives you crazy but just might work in your favor today.
“We’re in love. We’re gettin’ married, and that’s all there is to it.” It comes out as a growl and the sound reaches down to your toes.
Parker shakes his head, grasping at anything to control his client. There’s a carefully veiled desperation in his voice which barely conceals the threat he now lobs at Elvis: “This’ll ruin you, boy! What will your father do when the money is gone, hmm? Your cousins? Your friends? That big house you bought your mother? It’ll all be gone.”
Elvis looks as though he’s been slapped. But not you. Life has made you good at reading people, at seeing through men like this. Perhaps it is the fact you are running on adrenaline or because you have so much to lose, but you find yourself furious at Parker for speaking this way to Elvis.
 “And after everything I’ve done to ensure your success, you’d throw it all away for—”
“How?” You barely register you’ve spoken until Parker’s glare lands on you.
Elvis looks down at you with surprise. It wasn’t part of the plan for you to interject; Elvis thought he could handle Parker on his own.
“How exactly will getting married and having a family ‘ruin’ him? Last I checked, you weren’t a young woman. How do you know it won’t help him? His audience is growing up and getting married, so why can’t he?” you say, a fierceness you usually rely on at work slicing through your nervousness.
“Young lady, you best shut your mouth before you get yourself in more trouble than you’re already in,” Parker seethes.
“You don’t talk to her that way!” Elvis yells, stepping in front of her, pointing in the older man’s face.
Parker looks taken aback, and you wonder if Elvis has ever stood up for himself the way he’s standing up for you now.
Your heart beats in double time, but you gently put your hand on Elvis’ arm to bring it down. His eyes are blazing but they catch yours and you breathe in slowly, hoping he follows your lead. Once he doesn’t look like he’s going to launch himself at Parker, you speak.
“I was going to be around for the foreseeable future anyhow, isn’t that right? Perhaps much longer based on what the doctor said,” you say, miraculously keeping the tremble out of your voice. “It is easier—and more proper—to explain a wife being by his side than a long-term girlfriend living in his house, yes?”
Parker scoffs but doesn’t speak.
“And there’s nothing more young ladies like me want more than weddings and babies, even more so when the groom is the most handsome and charismatic man on the planet, one they want the best for. They will look at pictures of us and imagine themselves as me, I’d bet. And the men will be much less threatened by the family man who served his country and might come around, too,” you continue with fervor, surprised at how easy it is to be assertive when it’s Elvis you are fighting for.
“It doesn’t matter if he is married or has a thousand babies, Mr. Parker. As long as Elvis is alive and keeps doing what he was born to do, they will flock to him because he is an incredibly talented, gorgeous, and kind man. My being by his side won’t change that one little bit. In fact, a wedding will be free publicity for his comeback album, I’d imagine.”
A breath wooshes out of you now your speech is finished. Your fists squeeze to hide the tremor in your hands. Silence hangs heavy and you shift uncomfortably on your feet, but you force yourself to hold Parker’s eyes.
At first, he looks at you with something akin to shock, which quickly morphs into a smirk as he throws a cigar in his mouth, considering your words, perhaps. He holds the silence and your gaze much longer than he should, and you know it’s a show of dominance. You’ve seen a similar look on the men in la famiglia when they seek to intimidate.
It equally makes you want to stand your ground and shirk back into the woodwork. You don’t want him to win, but you also know you must play a role here, and a man like him will want any good idea to seem like his own. You lower your eyes in faux deference.
“Well, Elvis, we may be able to salvage this yet,” Parker purrs, gumming the end of the cigar.
Elvis’ eyes haven’t left you since your speech—you know because you feel them boring into you—but it’s not until you look back up at those depthless blues that you see the unabashed way he’s staring.
He looks at you like he’s smitten. Like you are everything he could ever need. And he’s blushing as if bashful about what you said. His movie star gaze pins you to the spot, with his bedroom eyes at half-mast and his full lips falling open like he’s going to say something.
You would love to be able to say it didn’t make your heart flip over and your knees a little weak to be looked at like this by him; in fact, you are going to chalk it up to your hormones because this is all part of the act, you are sure.
It’s almost painful, the way you tear your eyes away from him to look at your shoes. Suddenly you are winded and exhausted.
He’s just a patient. Maybe even a friend after everything you’ve been through together this past month. A better actor than anyone gives him credit for.
Madone, I will not swoon over a man just because he’s good at pretending he loves me.
Elvis may have acted like a spoiled, sullen child the days prior to arriving back at Graceland, but you’d never in your life seen had a man so entirely consumed with your wellbeing once he knew something was wrong with you. No man had ever treated you with such care.
A swell of emotion sits like a lump in your throat when you think about his proposal. What he’s giving up to save you. To save your baby.
And he’s been so earnest it makes it hard to compartmentalize the fact this arrangement is a quid pro quo and not some romantic folly. Your mind knows this, but your heart is having trouble keeping up. It doesn’t help when he is looking at you like you hung the moon. Like you are precious and beautiful. Like you matter.
You clear your throat and look away, feeling the blush spread across your cheeks. Then, a wave of overwhelm threatens to consume you. Everything in your world has been upended in the last 24 hours, and on top of that, you still have a job to do, yet your body is fighting you every step of the way.
Pregnant.
Your stomach lurches, but you swallow the toast you’d managed to eat earlier back down. Now is not a moment to appear weak by losing your breakfast all over the floor.
Parker is sizing up the both of you, chewing on the end of his cigar like a cow chewing on cud. It makes you want to squirm, yet you force yourself to remain still.
Elvis grips your hand reassuringly, sensing your discomfort. “It’s early, so that means we should do this as soon as possible, yeah?” He says it as if asking, as if the two of you hadn’t already decided it. You can’t quite tell if he’s asking for approval or if he’s smart enough to know it will go over better if the old man thinks it’s his decision. Either way, it seems to work.
“Mmm, yes. Though some are already going to assume the reason based on your impatience,” Parker counters, pointing at your belly.
“Let ‘em think what they want. But I want it public. I want everyone to know who I’m spendin’ the rest of my life with,” Elvis says definitively.
Parker looks at him and narrows his eyes. “Are you sure, my boy? It’s quite the gamble.”
“Didn’t get where we are by always playin’ safe, did we, Colonel?” Elvis counters.
“Hmm, I suppose not,” he replies after another long moment of scrutiny, “and I know you like to charge ahead without looking, but if we give them too much at once, they might be too ravenous. And we must control the narrative.”
Parker looks at your hand. “Get her a pretty ring, then go out and about and be seen. Tell your boys, your family, but no one else. Let them start talking.” His mind starts whirring, you can tell by the gleam in his eye. “We’ll sell an exclusive to the highest bidder, with terms to run the story along with the release of the album. We’ll push the release up, but that means you need to get up to Nashville in the next few days and finish cutting the record. With singles, RCA is going to need…” He pauses to do the math. “At least 11 or 12 more songs to have enough. You think you can do that, son? With everything going on?” The challenge is clear, but you are surprised to hear concern in his voice, too. Elvis is an ill man, after all, despite how gallant he is.
Elvis nods. “Yessir, I’ll get it done.” There isn’t a lick of doubt in his words.
You, however, are worried it’ll be too much for him. It’s a lot of pressure for anyone on a good day, but for Elvis, this could be dangerous. He’s already been pushing himself to the limit with his childish behavior in Florida. You want to say as much, but Elvis must know what you are thinking because he shoots you a stern look before you can get the words out of your mouth.
“Well, then, when you get back, we’ll have a small ceremony at Graceland. A church wedding is out of the question. Safety, timing, you understand,” Parker adds, shooting you a look like he’s sorry when you both know he is anything but.
You swallow and nod, but a snake of disappointment runs through you, nevertheless. You’d been raised to expect a Catholic ceremony but realize it wouldn’t be possible anyway. Elvis isn’t Catholic. In fact, you aren’t sure what religion Elvis is. The fact you don’t know sinks in your gut.
There is so much you don’t know about the man you’re about to marry.
But he’s not Gianni, you think. And he’s willing and able to give my baby the life it deserves.
And that is enough. It has got to be. Arranged marriages still happen every day—this is no different. A love match was never in the cards for you anyway. Not with your father and Gianni in the picture.
He may drive you crazy at times, but at least with Elvis, you and the baby will be safe and cared for.
You’ll just have to quell any expectations he will see you as more than his nurse. Or more than one of the many girls just passing through.
I shouldn’t have kissed him last night.
You blush at the memory. It was a moment of weakness, but you’d been so overcome with gratitude, shock and relief, you’d let your emotions get the best of you. It was too revealing, too vulnerable, considering your roller coaster of emotions recently regarding him.
It hadn’t helped he’d kissed you back with such commitment. Like he truly wanted you.
It scared you. But you’d backed away instantly after accepting his proposal, convincing yourself the look in his eyes was nothing more than friendly and then busied yourself with putting your clothes back into his—your—closet. Then you’d used your very real exhaustion as an excuse to go right to bed after that, ignoring the gnawing feeling of want in your heart.
Elvis would never love a woman like you. A woman who’s been chewed up and spit out by horrible men, a far cry from the actress and model beauties he is used to. He is a good man, helping a woman in need out of the kindness of his heart, out of a need of his own self-preservation, but you best keep reminding yourself that pity and helpfulness is not love.  
Lest you get too caught up in the fairytale you are spinning for the world, you remind yourself that once things settle down, arrangements will need to be made for him to get his other needs met.
It wouldn’t be the first or last time a powerful, famous man had dalliances, after all. They would just need to be discreet.
The thought makes your heart ache and tears prick at the back of your eyes, though you instantly try to push away the uncomfortable feeling. You don’t have time or energy to waste on such nonsense.
It takes a moment to realize the men have stopped talking and are looking at you as though waiting for a response.
“I’m sorry, what?” you say, shaking off your thoughts.
“I asked if you had any family or girlfriends that could assist you in preparations? You’ll need to get a dress and have any family travel in to be here after you get back from Nashville,” Parker says with a raised brow.
Your heart sinks. “Oh, no. There’s no one,” you say, trying not to sound as full of regret as you feel. The few friends from nursing school you had weren’t close enough to stand with you, and while you’d love to have your brothers come, there is no way to do so without alerting your father. And you feel absolutely sick at the idea of him being anywhere near you or Elvis.
Elvis looks at you with surprise. You hadn’t told him directly about the issues with Pop, but you assume he at least expected you to have friends. It’s pathetic, to be sure, but this was the reason you’d agreed to work for him in the first place. You are alone in the world.
Swallowing thickly, you hold your head high, even so.
Elvis, thankfully, takes your cue. “I’m sure Patsy would love to help,” he says with a gentle smile, pulling you into his side, his hand resting high on your waist. His double first cousin had been kind to you in the interactions you’ve had, so you suppose she will do.
You nod in response, hyperaware of the warmth of his hand radiating through your dress. It steadies you, tingling the skin beneath, and his closeness is a welcome anchor in this uncharted territory.
“Well, then, by this time next week, you’ll be newlyweds. I trust you’ll be able to continue to take care of Elvis despite your condition, Miss Cannava?” Parker asks under a veil of concern, but the accusation is palpable.
“I have no intention of shirking my duties, Mr. Parker. I want Elvis to be as healthy as possible.”
“Please, call me Colonel,” he says, an edge in his tone that lets you know your refusal to call him Colonel annoys him. But as much as you want to rub it in, you know you need him on your side.
“Of course, Colonel,” you respond, forcing a smile on your face. “And know I’ll continue to do whatever it takes to help Elvis keep doing what he wants to do.”
“I hope that’s true, young lady,” Parker says, “for everyone’s sake.”
You swallow down the threat, adding to your already churning stomach.
*
April 3rd, 1960
Nashville, TN
“Ready, Elvis?” the engineer up in the booth buzzes in over the com.
“Yeah,” he replies, shooting you a cheeky smile and a waggle of his eyebrows as he steps up to the mic.
You roll your eyes back at him, trying not to show just how much you are appreciating his presence. The secrets you two now share have matured him. You can’t help but worry about the dark circles rimming his eyes, though it is a bit unfair how it somehow only enhances his handsomeness.
Even so, he has been remarkably steadied and attentive these past few days, considering everything going on.
It is a godsend for you. Your nerves are fraying at the edges and more than ever, you want a cigarette, but you know Elvis won’t have it. Considering what he’s doing for you and this baby, you are happy to oblige him on this, despite your cravings.
With everything you’ve gone through in your life, you pride yourself on moving through adversity—for surviving as best you can—without falling apart. But since you returned from Florida, all bets have been off.
Along with putting on the performance of a lifetime in hiding your pregnancy, you’ve also needed to play the gleeful fiancée—a role that hardly feels natural for you, even if your relationship wasn’t a farce. A thousand other girls would be beside themselves to take your place, but for you it’s different. It’s like the ground is constantly moving underneath your feet and you are holding on for dear life, trying to stay upright.
It doesn’t help that your feelings for Elvis are rapidly slipping out of your control. While his poor behavior in Florida tempered them by the time you arrived back in Tennessee, his gallant actions since then, coupled with your exhaustion, have blurred the lines completely. Every touch, every knowing glance, every concerned look sends a cascade of tingles through your body.
You want to blame the pregnancy, you really do, but you aren’t sure you can at this point. Each sliver of attention and affection from him is peeling away the armor you’ve got around your heart, and you don’t have the mental or physical energy to keep rebuilding it.
It’s a recipe for getting your heart broken.
Your fingers twist nervously, still unused to the engagement ring now on your left hand. After telling him about Gianni’s gaudy monstrosity, you’d begged Elvis to keep it simple; he’d reminded you he has a standard to uphold. The compromise was a stunning ring with three large, round stones—a diamond in the middle, with blue sapphires on either side, surrounded by smaller baguette and single cut diamonds in a white gold setting.
You wanted to hate it, solely for its extravagance, but when he had shown you the piece ahead of the “surprise” proposal you both had planned for after dinner last night, you couldn’t drudge up an ounce of dislike. He’d looked so concerned about pleasing you, telling you over and over he could take it back if you didn’t like it, but frankly, it was one of the most beautiful pieces of jewelry you’d ever laid eyes on. It was elegant and sparkling, and the uniqueness of the sapphires set it apart. It didn’t take much acting to “ooh” and “ahh” when he’d gently placed it on your finger in front of his friends and family, cementing the reality of this strange situation. A flock of butterflies had erupted in your stomach as though he really had proposed, like the proud but blushing smile on his face was really because of his love for you and not an act.
Your ring catches your eye for the millionth time today and the sapphires suddenly remind you of Elvis’ eyes. How deep and endless they seem. There is no stopping the flipping of your heart.
Oh, Madone, it’s just a ring, you chide yourself. But it doesn’t stop you from twisting it around your finger again and again like a touchstone.
After a bit of back and forth, a heavy bass line and rhythmic snapping starts, jerking your attention to Elvis. The stripped-down jazzy sound is immediately recognizable—a Peggy Lee hit from a few years ago. Your brow quirks in surprise.
The slow grin spreading across Elvis’ face is sinful as he sinks into the music.
He wanted you in the studio from the start this time around, citing you as his “good luck charm.” Part of you balked at that. The other part was flattered. After the last two times you’d watched him come alive while performing, something deep inside you awakens right alongside the beat, scaring you in its intensity.
Never know how much I love you, never know how much I care…
He starts singing. It’s quiet and deceptively relaxed, but you know him well enough now to understand he’s a live wire under it all. And that makes it even more enticing when he locks his eyes on yours, singing the words directly to you.
You give me fever…
His voice skitters across your skin, lighting fires as it goes. After the beat drops, his limbs shiver with the drums and the movement feels directly connected to the shiver running down your spine.
And he’s just warming up.
Every line, coupled with the sultry timbre of his voice, drowns you further into the depths of his eyes. They don’t let you go for the entirety of the first take. Your face is flaming, your hands gripping the edge of your seat because it feels like he’s about to eat you alive.
Madre di Dio…you’d let him. Willingly.
He wakes out of the spell he’s seemingly cast partway through the second take. You watch him whistle and blink a few times, coming back to himself. He’s slightly more unsure through the third, but regains his original focus by the fourth, sliding into the take like he’s been singing the song his whole life.
You can’t help but feel this is an intimate moment you shouldn’t be privy to, when he homes in on you once again. You are barely breathing the entire last take, a throbbing pulse consuming your heart along with your belly, something liquid and warm heating the core of you.
When he grits out: When her daddy tried to kill him, she said ‘Daddy, oh don’t you dare’, you hold back a gasp, wanting desperately to squirm in your seat to relieve some of the pressure in your body you don’t have any idea what to do with.
Perhaps it is because the line hits so close to your own experience, but it is as if he’s channeling you. Or channeling into you. You aren’t sure anymore, other that you are combusting from the inside out by the end of the song.
What a lovely way to burn… he repeats again and again, and trails off, finally.
Indeed.
He comes out of his near-trancelike state, bringing you with him and you are suddenly not at all sure you’ll make it through the next few days of recording.
How did you forget what happened last time you were in this room with him? With everything that had happened since, you suppose it’s not that outlandish, but those feelings of want, of need, seep back into your bloodstream just like the last time he sang to you in Miami, and here in this very room just a few weeks ago.
Seems like a lifetime ago…
Forcing yourself to breathe, you think maybe you’ll have a reprieve with the next song, but the bluesy Like a Baby is so sultry it does absolutely nothing to quell the fire in your veins. It doesn’t help he looks positively proud of himself every time he drinks you in, gauging your reaction, with every word he sings to you.
The seductive quality of it all is so overwhelming you need to excuse yourself to the restroom the moment the final take is cut. You clutch your trembling hands, splashing cool water across your rosy cheeks.
Get it together, Lori. He’s just doing his job.
Letting out a shuddering breath, you feel an unusual slickness between your thighs that sends your heartrate skyrocketing.
Oh, God—the baby.
Frantically, you hoist your skirt, pull down your stockings, and examine your underwear for any sign of blood. Panic slices through you until you discover you aren’t bleeding or miscarrying—it’s only a clear, slick discharge you’ve not had before. Something hormonal, no doubt, due to the changes in your body.
Then you realize you are relieved.
Your heart stutters.
You’re not sure you should be relieved. If this pregnancy ended naturally, it would save all of you a heap of trouble. It would mean you might be able to put the memory of Gianni’s cruelty behind you. It would mean Elvis wouldn’t have to settle for you. You could break off the engagement easily enough at this point.
But the thought of losing the baby, of losing Elvis, makes your heart ache so much tears spring to your eyes.
Oh, no. Oh, no, no, no.
You can’t want to actually marry Elvis. You barely know him. God knows you don’t feel ready to start a family, especially out of such horrid circumstances.
Then why does the idea of losing it all break your heart?
Sniffling, you look in the mirror and hold back the tears starting to well in your eyes.
It’s just hormones. Your body is just protecting itself and the baby, nothing more, you say in your calm and collected nurse voice. Nothing more.
Because anything more means perhaps your feelings for Elvis have truly gone beyond what you can handle right now.
Scrunching your eyes shut, you pray to understand the purpose of any of this. Why Elvis feels more like home than anywhere else, despite his sometimes infuriating nature. Why he has to be so alluring and charismatic.
Why the thought of being without him is untenable at this point, and not just because of Gianni or the baby.
It’s just a crush—a silly little crush.
No.
He’s all I have, you realize.
Of course, you feel connected to him. Right now, he is consuming your life and drawing out a safe future for the both of you. He is the only one truly in your corner. You may not know him completely, but he has not deserted you or thrown you back to your father. He is deep in this with you.
He could’ve easily fired and discarded you and been right to do so.
But for some reason, he did not.
A shuttering breath makes your chest heave. You can’t bring yourself to examine why that might be and you push away the thing you are most loathe to admit. The thing that makes pretending with him so very difficult, yet so sweet at the same time.
Shaking your head, you wipe your eyes, and straighten your spine. You powder your nose and reapply your lipstick. You put yourself back together, locking up the feelings you are trying so hard to fight.
Looking in the mirror, you see a young woman ready to do what she needs to do to survive.
Ignoring the headache brewing behind your eyes, you paste on a cordial smile and venture back to the studio. The light is on because they are recording, so you sit outside until it flashes off. You stand, brush off your skirt, and reach for the doorknob but it whips open before you can grasp it.
Gasping, your heart leaps in surprise as Elvis fills the doorway, looking a tad frantic.
“Little Bird, are you okay?” he asks, brow furrowed. He grasps your shoulders gently, taking you in as though you might be hurt. He thumbs your chin and looks into your eyes. “You disappeared on me.”
You bite your lip, concealing the smile wanting to appear at the fact he noticed you were gone.
“I was feeling a bit queasy,” you murmur. It’s not a lie, but not the whole truth, either.
The pad of his thumb brushes over your cheek. Your heart thumps and you look down to avoid the intensity of his gaze, lest he see more than you want him to.
“Let’s get you back to the hotel then, darlin’.”
“I’m fine,” you brush him off, “And I won’t leave you. You look tired. How are you feeling?”
The corner of his mouth quirks up. “Don’t think I don’t know you’re tryin’ to change the subject, little one,” he muses. His hands find your waist, burning through your dress. “I am tired. Let’s call it quits for the night.”
Your mouth pops open and your eyes narrow with suspicion. “Has hell frozen over? Elvis, you’ve hardly cut three songs, and the Colonel said—”
“I heard the Colonel, but I’m tellin’ ya it’s time to go.” There’s an edge to his voice, warning you his mood is shifting. “And I’m doin’ what I promised by knowin’ my limits.”
“Okay, I’m just surprised is all. I’m used to you fighting me like a stubborn goat,” you tease, trying to lighten the mood. You can’t discern if he’s doing this for your sake or his, however. Perhaps it doesn’t matter if it gets the job done.
His cheeks are flushed, so you feel his forehead with the back of your hand. “I suppose you do feel a bit warm,” you concede. “Alright, let’s go get some rest, then.”
He nips at your hand playfully as you bring it down, pulling you closer. The flirtation has you blushing and you resist the urge to giggle, rolling your eyes instead. You can’t help but notice there is no one to perform for but remind yourself he’s just an overly affectionate guy. It means nothing.
“Hey, EP, you comin’?” Charlie yells from inside the room.
“Naw, we’re heading out. I’m tired,” Elvis says, giving you a wink.
Charlie sputters but recovers quickly, gathering the group as Elvis entwines his fingers with yours and heads out to the car.
He doesn’t let you go until you arrive back at the hotel, safe in the room you share.
Something is building between you two. You can feel it in the care of his touch, in the warmth filling your chest and your belly with each beat of your heart. It’s in his eyes as he sits on the edge of the bed, releasing the mask he wears for the rest of the world as you check his vitals.
He is tired and a little feverish. You are proud of him for following through on taking better care of himself, even if you think it is because he is looking out for you and not himself. You give him a quick little smile before turning to put away the blood pressure cuff.
“I wish you’d do that more.”
“Do what?” you ask.
“Smile. I don’t think you realize how beautiful you are when you do it,” he says, low and quiet.
It rumbles through you like thunder, your heart skipping a beat. You pay special attention to clasping your bag closed, unable to look at him but feeling the weight of his gaze.
“Elvis—” you whisper.
“I want you to be happy,” he interrupts.
You sigh with the weight of your circumstances pressing on your shoulders, still unable to meet his eyes.
“But I understand why that’s hard right now. I jus’…I-I w-want you to know I’ll do whatever I can to make things easier on ya. Because you deserve to have more of those pretty smiles.”
The clasp of your bag becomes blurry and your throat tight. You clench the leather and force a deep breath. Tilting your head up to blink back the tears, you clear your throat before you can attempt to look at him.
Why does he have to say things like that? It makes it harder to resist the pull you feel towards him. You are teetering on the very edge of being professional and he seems keen to push you over, whether he knows it or not.
“Thank you,” you finally manage out, though so many words linger unsaid on the tip of your tongue. You meet his eyes and fireworks erupt over your skin at the way he looks up at you so openly. The air is sucked out of the room, deathly still, like before a summer thunderstorm. It leaves you buzzing and dizzy.
He stands, slowly, as if not to startle you, and steps forward. With each inch closer he gets, the air shifts, beginning to crackle with electricity. Your heart gallops faster. If he touches you, you are done for, you just know it. The lightning burning bright inside of him has the power to wreak irrevocable havoc on you. And you cannot afford to let your feelings get in the way of your survival because when he breaks your heart, which you know he will, you will have nowhere to go.
You have the baby to think of now. It is easier to sit in the discomfort of your complicated feelings than in the pain of the inevitable heartbreak that will come when he realizes you’re just like any of his other women—you’re replaceable, at least romantically. And God knows you’ve had too much pain in your life related to the whims of men to add more.  
The air sizzles as he reaches for you, tempting you to burn with his touch. Part of you wants to burn—the deep heat swirling unbidden low in your belly dares you to let him—but you jump back out of instinct.
“I-I should get ready for bed,” you stutter, racing to your suitcase to grab your nightgown before hightailing it to the bathroom and slamming the door harder than you intended. You think you hear him chuckle as you lean back on the door to catch your breath.
Your body shakes but not out of fear of him. No, it’s like you’ve refused it something vital and it quakes with the need of release. Like the crack of lightning in him would bring the relief of rain, cutting the heat between you.
It doesn’t make sense. You’ve never felt this before, but you know it is dangerous. Lightning is beautiful but deadly, after all.
As you stumble your way through your bedtime routine, you realize in a few short days, the storm of a man out there will be your husband. And one more boundary between you you’ve relied on to keep you on solid ground will be gone.
And one look in the mirror at the exhaustion lining your features, you wonder if it is too late; perhaps the coming storm is inevitable and will tear you to pieces no matter what you do.
There are worse ways to perish than in the arms of Elvis Presley.
*
The swell of electricity doesn’t go away. It abates some, at times, but your body is hellbent and hyperaware of Elvis’ every move, of every breath he takes.
You desperately want to blame your job—you’re supposed to be observant of him, after all—or the changes in your body because of the baby, but the waves of rolling thunder build under your skin despite the physical space he is trying to give you.
The marathon of a session on Monday does not make things better. You’d hoped it would be a distraction. He needs to be completely focused to bang out at least nine more songs to finish the album. There will be no time for anything but music.
Except you somehow forget music fuels him and makes him glow from the inside out. Instead of dissipating, the storm just builds and builds, like wild thunderheads in the sky. He lives each song so completely, expertly maneuvering through mournful ballads and bouncing pop and raunchy blues like he was born to do. It’s mind-bending and alluring, and every time he draws you in, it feels like he’s singing directly to you, about you.
He's enjoying himself, despite the long hours. Completely in his element. And electricity zings though your body during the playful moans at the end of Such a Night. By the Thrill of Your Love, you think you might combust.
And he knows it, by the sparkle in his eyes and the pull of his defiant but tempting upper lip. He wasn’t offended by the boundary you set last night in the slightest, giving you the physical space you desperately needed unless needed to keep up the ruse of your engagement. But everything he does, every lyric he sings, every twitch of his body, makes you feel as though you are swirling out of control. The more he respects your need for physical space, the more you want him to box you in.
He's doing just that, just not with his body.
You are completely on edge when not absorbed in his performance and technique. God, what an idiot you were to think he wasn’t talented. His stint in Germany only served to strengthen his craft. The world isn’t ready for this new and improved Elvis. Girls will be beside themselves.
You just never thought you’d be one of them.
By the time he gets to the last song, he can’t stave off how tired he’s getting. The marathon session has taken all night and into the dawn. He lets everyone know he’s not entirely convinced he should even sing this Are You Lonesome Tonight? but the Colonel, along with Steve, the RCA rep, press him.
Worry for Elvis’ wellbeing has you voicing your concern, but the men look at you as if you are a silly little girl and not a professional. It takes a moment to remember the only one who really knows your role here is Parker, and despite nearly being asleep on your feet, you are ready to go toe to toe with him. Elvis concedes to his manager, however, before shooting you a look and running his hands down your arms to placate you. The long touch of him distracts you enough to lessen your annoyance for the moment.
This last song is the only time he kicks you out of the room, along with everyone except the musicians, but you manage to sneak into the booth to listen. You can’t see anything through the window because he’s ordered all the lights be turned off, but the result has goosebumps rising all over your body with the emotionally eerie but gentle lilt of his performance.
By the end, tears are streaming unbidden down your cheeks, though you aren’t entirely sure why. You race to wipe your cheeks before the lights pop back on, but he catches your eye through the window and swell of emotion rises again.
You know you are careening quickly towards something beyond your control. The pregnancy is one thing pushing you towards the edge, but this new arrangement with Elvis, the intimacy involved, has your heart racing with both curiosity and fear. It is all so far out of your experience but there is no real choice. It is whatever this new normal is or running for your life.
Being off kilter and filled with feelings you don’t understand is uncomfortable, but you’ll take it versus the alternative, though you can’t help the fear you’ve put Elvis in terrible danger crawling at the edges of your mind.
It’s this that keeps you alert as you all board the bus to head back to Memphis after a quick diner breakfast. Elvis is dying on the vine, the energy of performing all night taking its toll. The darkness around his eyes and the pallor of his skin tells you everything you need to know, but his limbs twitch restlessly all the way home, even when he doses, curled up into you with his head on your shoulder. It’s as if he can’t shut it off even when he is completely drained.
It’s too much for him. Your anxiety builds and builds in the hours it takes to return to Graceland. You are worrying your lips raw between your concern for him and the position you’ve put him in. Guilt swirls in your stomach, making your carsickness worse.
On top of it, your body is desperate to be close to him, as though his presence is a balm to your burdens, but those feelings just bring more confusion. You relish the tickle of his long, soft hair against your jaw and the way his fingers interweave with yours, even in sleep. Despite how ready you were to leave mere days ago, you aren’t quite sure you could do so now without damaging a part of yourself you didn’t know existed.
It frightens you, but the tingle that zings down your arms and into your palm lets you know it is exhilarating, too.
The bus is quiet of its usual boisterousness when it pulls through the gates of Graceland in the early afternoon. It is hard to believe how much everything has changed in a few short days, since the last time you arrived like this.
“Elvis,” you whisper, but he barely stirs. His eyes are closed, and his full lips are open slightly, giving him an air of innocence that tugs at your heart. “Elvis, sweetheart, we’re home.”
Sweetheart? Madone, where did that come from? You blush at your use of the endearment, not having used it since your brothers were little boys and certainly never with a man.
Elvis sputters and his long eyelashes flutter open as he stretches his long arms. “Mmm, ‘sweetheart,’ huh?” he murmurs, his lips turning up in a small, sleepy smile.
“I—you must have dreamed that,” you reply, flustered, but you know your pink cheeks and the way you twist your ring give you away.
He just grins. “You can call me sweetheart all day, Little Bird.” Then, he pulls you down for a sweet, chaste kiss, which surprises you. He tastes of sleep and coffee and chewing gum. The kiss is quick but sends a tremble through you all the same, especially since the bus is nearly empty.
When he pulls back and takes a look at you, his eyes fill with concern. He runs his thumb under your eye, as though he could wipe away the darkness you know is there. “Did you sleep at all, baby?”
You shake your head no, trying to brush him off by getting up to walk away, but he stands and grabs your arm. Pulling you back gently, he wraps his arms around your middle. You give up trying to wiggle away—he’s stronger than you. You’re surprised to find you don’t mind it. If it were any other man, you’d be panicking at the closeness, but it seems you’ve grown used to Elvis’ near constant displays of physical affection.
“I’m fine, Elvis. Let’s go inside.”
“Little one, the doc said you need sleep…”
His vacillation through pet names and endearments should annoy you, but they don’t. Not anymore. You sigh.
“…and you’re gettin’ married tomorrow. You need ta look your best for your husband,” he says, waggling his eyebrows.
Rolling your eyes at his silliness, you try and mask the surprising buzz of excitement running through your limbs at the reality that in a day you will be married to this exasperatingly handsome and talented mess of a man. It’s overwhelming and a little exhilarating, but you can feel exhaustion pulling at you, knowing you’ll be knee deep in preparations in a few short hours.
You resist the urge to lay your head on his shoulder, but he senses your resignation in the way your body deflates. It’s hard, you realize, to let anyone else take care of you.
“How ‘bout I rest with you? Will you at least try to take a nap then?” If he’s conceding to more rest, you know you must look worse for the wear. But it does the trick.
“Alright, fine. I will rest if you do, too,” you concede.
Being back at Graceland—back home—helps you relax more. No one can get to you or Elvis here. You fear you won’t be able to sleep, but once your head hits the pillow, Elvis safe and resting inches away, you slide into the dreamless dark.
*
Taglist Pt 1
@eliseinmemphis@russian-soft-bitch@tattywood
@sassanoe@thella @suspiciousmidge @hiddlepiddlediddlewiddle@carolinesbookworld @juggernort @aesthetic-lyss @stitchattacks @donnamarie23
 @littlebitofgreen@paigevis@bugg06@xhannahbananax03@artlover8992
@18lkpeters@frozenhuntress67@girlblogger2002@kendralavon7@misspresley
@be-my-ally @whositmcwhatsit @vintageshanny @ellie-24 @thatbanditqueen @powerofelvis @from-memphis-with-love
 @precious-lil-scoundrel @stylespresleyhearted @prompted-wordsmith @crash-and-cure @elvisgf @lookingforrainbows @fic-over-cannon @godlypresley @ab4eva @whatstruthgottodowithit @elvisabutler @amydarcimarie@idontwanttoputanything @callieselvisobsessed @captainamerica1235-blog  @xenaspace3-blog 
@simplyamberj@claire-elvisgirl@everythingelvispresley@louisejoy86@deniseinmn @madelynpresley
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lizzygrant17 · 6 months ago
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scarfaceluvr · 6 days ago
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citizenscreen · 11 months ago
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Elvis Presley and Dolores Hart on set of LOVING YOU (1957), co-written and directed by Hal Kanter.
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gatutor · 9 months ago
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Elvis Presley-Dolores Hart "El barrio contra mí" (King Creole) 1958, de Michael Curtiz.
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